Mayra Trujillo-Camacho


Album Review: Icarus Falls by Zayn Malik

Zayn Malik, ex-member of the boyband One Direction, released his second albumIcarus Falls” on the 14th of December. The album includes 27 tracks, which is part of the reason I am writing this review a good month after the release. 27 tracks is a lot to listen and digest fully, as well as appreciate the work. This album was one of the albums I was most excited for in 2018 as his first album “Mind of Mine,” released in 2016, was one of my top favorites with very addicting and creative melodies. It was a chance to fully appreciate Malik’s vocals. This album produced the songs “Pillowtalk,” which quickly went up to number one on Billboard’s Top 100, and “I Don’t Wanna Live Forever” with Taylor Swift, featured in the movie “50 Shades of Grey.” He achieved all of this success right after leaving the One Direction heartthrobs.

Zayn Malik’s new album “Icarus Falls” provides a nostalgic, dream-like sound and creates an alluring, almost supernatural, feel. However, this album really shows the power of Zayn’s voice. This album shows more of a real Zayn Malik with a style of music that really shows who he is artistically, unlike with his first album “Mind Of Mine,” which was much more commercially successful and created an R&B persona. This concept-themed album about the Greek myth of Icarus seems more risky and daring on Malik’s part because he is putting himself on display and revealing who he really is. Therefore, this album seems to be symbolic and metaphorical to Malik’s own life: with him leaving One Direction to becoming a solo artist to his struggles with mental illness. The Greek myth of Icarus deals with Icarus and his father, the creator of the Labyrinth, imprisoned in Crete. His father, in an attempt to escape, creates wings made out of wax and feathers. Icarus’s father warns him of not being too smug, telling him not to fly too low or too high, so that the sea’s dampness would not clog his wings or the sun’s heat would not melt them. Icarus ignored his father and flew too close to the sun, where his wings melted and he fell into the sea and drowned.

Concept-themed albums are hard to pull off, but Zayn does an incredible job of creating this illusion of Icarus “flying” then “falling.” The album is separated into two different sections. The first section starts off with soulful love-themed tracks. “Let Me,”  the opening track, perfectly demonstrates Malik’s smooth and gorgeous falsettos, definitely creating high expectations for the rest of the album. The track “There You Arehas beautiful and romantic lyrics. “There you are, there you are / You’re there with open arms.

“Icarus Interlude” shows the change in theme and sound, thus completing the first section of the album. This is demonstrated by the ghost-like guitar sound and him acknowledging that he is like Icarus in the lyric “Call me Icarus / I guess I flew too close to the sun.” He’s acknowledging that things are changing. This is further demonstrated by tracks like “Good Guy,” where he is not the good guy and not the right person for someone. “You Wish You Knew” is where he withholds his emotions. The track “Good Years” gives his perspective and memories of being in One Direction with the lyrics, “I prayed to God I didn’t waste all my good years.This track specifically caused conflict with One Direction member Louis Tomlinson, with Tomlinson calling Malik a hypocrite on Twitter.

This album also featured Rapper Nicki Minaj, and Rapper/DJ Timbaland.

Overall, this album really showed who Zayn is artistically and shows the power of his voice. Some of my favorite tracks from his album are: “Flight of the Stars,” “Common,” “Satisfaction” and “Scripted.” I encourage people to take time to fully appreciate the depth of “Icarus Falls.”

Best Songs of 2018 as Selected by A&E Writers

Album art courtesy of Tessa Violet.

Elissa Miller

4. “Trip a Little Light Fantastic” by the “Mary Poppins Returns” Cast: If there was a machine that you could throw your interests in to create a new product, the entirety of the movie “Mary Poppins Returns” would be my result. A sequel to one of my favorite movies? Check. Lin-Manuel Miranda as a character reminiscent of Bert the Chimney Sweep, my first childhood crush? Check. London as a backdrop for musical theater? You got it. While the movie is not a perfect film, “Trip a Little Light Fantastic” is a practically-perfect song and dance number. Clearly mirroring “Step In Time” from the first film, this is Lin-Manuel Miranda’s (and the movie’s) biggest number. It absolutely screams classic musical theater in both sound and design. Honestly, this felt extremely cathartic, because while I’ve loved the recent resurgence of musical films, they’ve generally failed to truly recapture that signature style. The dancing is absolutely breathtaking. The song is catchy and upbeat. Lin-Manuel Miranda looks like he is literally made of sunshine. I cried.

3. “Burn the House Down” by AJR: AJR crafted a perfect album with “The Click” in 2017. It was hard to imagine that adding anything could improve it, yet “The Click (Delux Edition)” somehow managed to do so when it included four new songs. While I’m a fan of generally every new addition, this the absolute best of them. It is a loud, angry anthem that reflects on Twitter and modern-day protest culture, while still being able to function as a dance track. The band allowed it to be used in conjunction with the March for Our Lives movement earlier this year. Everything about it, from the musical style (the horns in this are GREAT) to the lyrics, is compelling. More songs like this in 2019, please.

2. “Bad Ideas” by Tessa Violet: While Tessa Violet made waves with her other release, “Crush,” this year, I’m quite partial to this second song. One of many musicians to first find their audience on YouTube, Violet has continuously grown as an artist to create a signature style. This is incredibly clear with “Bad Ideas,” which stands out among indie-pop releases for its unique sound. Lyrically, it explores the concept of falling for someone you really don’t want to, while sounding upbeat and light as a musical piece. The music video for this is also a great time and uses color in one of the best ways I’ve ever seen. Violet will continue releasing her new album as singles in 2019; I’m incredibly excited to see how it evolves.

1. “Everybody’s Lonely” by Jukebox the Ghost: I definitely link songs to specific times and places in my life. “Everybody’s Lonely,” off Jukebox the Ghost’s fifth album, “Off To The Races,” was the distinct soundtrack of my study abroad trip in the spring. I listened to it during bus commutes, while stuck in airports and when typing papers at the very last minute. It is extremely fun to listen and sing along to, yet it is also complex musically. It uses a number of instruments and vocal layering; soundwise it is largely reminiscent of the band Queen. I cannot recommend it enough.

Photo courtesy of Sony Classical Records.

Noah Howell

4. “Spidey-Bells (A Hero’s Lament) by Chris Pine: “Into the Spider-Verse” was one of my favorite films of the year, and is easily the best animated feature of 2018. The whole ride is a spidey-bonanza, and waiting into the credits was worth the wait for this song alone. Chris Pine is hilarious here and he gives me the Spider-Man Christmas song I never knew I actually needed. This song, along with the album I discovered on Spotify after the movie, will be a staple in my Christmas playlist for years to come.

3. “Shockwave” by Elena Siegman: Easter egg songs are a staple within every zombies map in the “Call of Duty: Black Ops” series, and many of these, like “Shockwave,” are written by Kevin Sherwood and performed by Elena Siegman. There is a reason for this: simply because the duo is fantastic. Siegman’s vocal performance is always stellar, and while the lyrics take a bit to wrap your head around, her job on the song here is no different. I don’t usually find myself listening to much heavy rock/metal like this song, but perhaps it’s just a great backdrop to the actual gameplay of killing zombies that makes it work so well.

2. “That’s The Way it is” by Daniel Lanois: The score within “Red Dead Redemption 2” is already phenomenal, but the best moments of the game are the long, reflective horse rides which come after key story beats and feature songs from a variety of different artists. This song comes towards the game’s climax and is the perfect beat to go alongside the penultimate moment of the player’s journey. I can’t give away too much without risk of spoiling the game, but the song is right at home at this particular moment and is one that will stick with me for a while. 

1. “Kitster’s Song” by Trevor Moore: When a friend first suggested this song to me, I was on board right from hearing the title. A song about Anakin Skywalker’s somewhat obscure friend in “The Phantom Menace” who had only a handful of lines? Count me in. The song straddles the line of being outright hilarious and emotional all at once, with Moore singing from the point of view of Kitster years after his appearance on-screen, reminiscing on what his childhood friend — now Darth Vader — is doing these years later. I had never listened to Moore before this, but one thing is for certain, he knows his “Star Wars.” Parodies of “Star Wars” songs usually rely on simply changing up the lyrics of an already popular song, but Moore creates an entirely new song on his own for Kitster and it is a great one.

Album art for “EVERYTHING IS LOVE” courtesy of Parkwood Entertainment.

Breanna Herring

4. “Sauce All On Me” by CoCa Vango: Another song to contribute to my high self-esteem! This song raps about containing the sauce. “Sauce” is used to describe someone who has a style, confidence and attraction about them.

3. “Nice” by The Carters: Let’s be honest, The Carters are black royalty. This song serves as a confidence boost for me and motivates me to be successful. Some of the lyrics highlight how African Americans are told that they can do anything in America, but racism and inequality challenge the belief.

2. “Wasted Love Freestyle” by Jhené AikoThis song hit close to home for me. The song describes how sometimes our energy and love are not reciprocated back to us in a relationship. We find ourselves realizing that we wasted our time and energy on someone who was incapable of loving us the way we wanted to be loved.

1. “CPR” by Summer Walker: I adore Summer Walker and can completely relate to her and her music. The song “CPR” is a metaphor describing the artist’s lover. She characterizes his love as air bringing her back to life because she’s been misunderstood and alone for so long.

Album art for “Let’s Go Sunshine” courtesy of Lonely Cat Records.

Tyler Trudeau

4. “All the Stars” by Kendrick Lamar, SZA: As Marvel’s ‘Black Panther’ erupted onto the screen as one of 2018’s biggest movies, the soundtrack, curated by hip-hop icon Kendrick Lamar, also made waves as it brought some of the top names in hip-hop together to showcase the massive influence of the superhero hit. Featuring the likes of The Weeknd, Travis Scott, 2 Chainz and Future, the song that comes to my mind first lies in the Lamar and SZA team-up “All the Stars.” With it kicking off the end credits for the blockbuster film, the rhythmic ballad of SZA mixed with Lamar’s rap inklings remains one of the top tracks from the soundtrack.

3. ”Holy” by King Princess: One of the most enigmatic new artists I uncovered this year was Brooklyn native Mikaela Strauss, or as her fans know her, King Princess. A multi-instrumentalist with soulful vocals to match the atmospheric synth melodies that run behind her, Strauss has already made a name for herself as the next bold revolutionary in the queer-pop genre. As a proud member of the LGBTQ community, the artist has expertly carved her way to the top as one of the most promising new artists out there. While her early hit “1950” might have won the hearts of fellow artists Harry Styles, Halsey and Mark Ronson, her somewhat haunting track “Holy” off her debut EP echoes with sonic nuance and cinematic flair.

2. “No Pressure” by The Kooks: After grappling onto other alternative rock groups like Arctic Monkeys and The Strokes, the unique sound of English band The Kooks quickly drew me into a similar fascination into their more recent releases. While their hit 2006 track “Naive” made for a worthy song to lodge itself eternally within my brain, I didn’t initially pick up their later records until this year’s “Let’s Go Sunshine.” With the rest of the record offering a foot-tapping catalog of drunken nights and unrequited affections, the closing number of “No Pressure” perfectly captures the ease and joys of a new relationship.

1. “Superposition” by Young the Giant: Easily one of my most anticipated albums of the year, the latest record from indie rock outfit Young the Giant kicked off with a trio of sensational, cinematic and undeniably catchy tracks. Escorting us effortlessly into their newest collection of soul-searching tunes of lost love, adrift ambitions and super-sonic melodies, the best of the trio in ‘Superposition’ shows off the band’s talented and atmospheric instrumentals, as well as the dreamy vocal nuances of frontman Sameer Gadhia.   

Album art for “Joy As An Act Of Resistance” courtesy of Partisan Records.

Aaron Febre

4. “One Point Perspective” by Arctic Monkeys: It was pretty difficult to pick one track off the new Arctic Monkeys album as I was thoroughly impressed with the overall product. This song takes the cake due to the wonderful layering of instrumentation, Alex Turner’s witty and observable lyricism as well as one of his best vocal performances. Plus, this reminds me of the 1970s for inexplicable reasons.

3. “Baby I’m Bleeding” by JPEGMAFIA: Released in January, JPEGMAFIA’s “Veteran” is one of the most exciting and intense albums of the year. “Baby I’m Bleeding” shows JPEGMAFIA’s fierce flow that is backed-up with an abrasive production that will leave your jaws dropped. Go ahead and play this, you won’t find another hip-hop track (or album) of this year that as fierce as this one.

2. “Dilemma” by Death Grips: As if all of their music wasn’t crazy enough, Death Grips returned with an even crazier album that made their previous work look more accessible. Out of my favorites from “Year of the Snitch,” “Dilemma” is my favorite for various reasons. Spoken word by Andrew Adamson (the director of “Shrek”), MC Ride screaming “DILEMMA!”, the video-game synthesizer and too many things that are incomprehensible to digest even for a fan of Death Grips.

1. “I’m Scum” by Idles: English Punk band Idles returned with a new album (“Joy As An Act of Resistance”) that is catchier and angrier than their 2017 album, “Brutalism.” This track encompasses the overall sound of the new album: Joe Talbot’s gruff voice, the steady and danceable rhythm, dirty guitars, a chorus that drunk soccer (or football) fans can sing along to, and the theme of “say what you want, I don’t care” in the lyrics make this song a favorite.

Artwork for “TINTS” courtesy of Aftermath/12 Tone Music LLC.

Cecilia Whalen

4. “Bring Me Love” by John Legend: Yeah, it’s a Christmas song. I get it; Christmas is over. But I love John Legend, so I take what I can get. He definitely has one of the most beautiful voices of this generation, and this song is upbeat, well-arranged, and of course, well-sung.

3.“TINTS (feat. Kendrick Lamar)” by Anderson .Paak: I don’t think there’s anything smart I can say about this song, but it’s just fun to sing along and dance to, OK? Plus Kendrick Lamar is featured on it, so you know it’s gotta be a win.

2. “1985” by J. Cole: I love J. Cole’s voice and basically every song he’s done. This song is kind of a diss track to all those who have come out dissing him, but Cole doesn’t just cuss them out and be done with it. Cole warns them about the harm their attitudes and their lifestyles are causing themselves and others — and he doesn’t sound like a bully or a punk defending his own pride. Really, he sounds like a big brother looking out for the hip-hop community, while peppered with the occasional big brother boast.

1. “Brackets” by J. Cole: J. Cole knows how to use rhythm. While a lot of rappers tend to repeat a similar rhythmic pattern, triplet and sixteenth after triplet and sixteenth, Cole masters syncopation. This matched with his poetry creates a whole album of reflection and creativity, and “Brackets” is the climax of both of these musical attributes.

Album art for “Love” courtesy of Reprise Records.

Mayra Trujilo-Camacho

4. “Taki Taki” by Selena Gomez, Ozuna, Cardi B and DJ Snake: It’s a song I can dance to that has a mix of Spanish and English.

3. “Money” by Cardi B: I just think it’s a very catchy song and even a good workout song. It’s very hype.

2. “Scripted” by ZAYN: This song comes from his second album “Icarus Falls,” after leaving One Direction in 2015.  It is a love song with a creative melody and nice chill R&B background.

1. “Love You Anymore” by Michael Bublé: From his new album “Love,” which was released two years after his son was diagnosed with liver cancer. “Love You Anymore” is a very beautiful song. It’s more of a song to forget your ex, but it just has a very nice melody and aesthetic.

Album art for “CARE FOR ME” courtesy of Saba Pivot, LLC.

Arik Miguel

4. Shoota (feat. Lil Uzi Vert)” by Playboi Carti: When I listen to this song, I know that half of what I’m singing is my incorrect decipherings of Uzi and Carti’s mumble rapping. The other half of the lyrics have about as much depth as the line “money on the floor just like some shoes,” but maybe that’s not a bad thing. “Shoota” is fun just for the sake of being fun, and that’s really all we could have asked of these two besties in 2018.

3. “Hunnybee” by Unknown Mortal Orchestra: This is one the most gleefully infectious songs I have heard in a long time. “Hunnybeehas the power to evoke the childhood joy that comes from somersaulting down a grassy hill.

2. “PROM / KING” by Saba: “CARE FOR ME” is Saba’s greatest album yet, and “PROM / KING” is its emotional peak. The seven and a half minute song builds up slowly until Saba is rapping at breakneck speed, describing his cousin’s untimely death. Saba has always had an incredible gift for storytelling, but he’s never told his story as breathtakingly as this.

1. “Noid” by Yves Tumor: Yves Tumor intertwines beauty and violence in an incredibly jarring and exciting way. “Noid” is unlike any song I have heard in my life. Almost as if you asked an alien to compose a song about police brutality.


Listen to the music featured in this article via the Spotify playlist below!

Caution! It’s the Haunted Union…

On the 25th of October, the Campus Activity Board hosted the Haunted Union in honor of Halloween. This spooktacular event involved various activities including pumpkin paintings, fortune tellers, a glowcade, a haunted house, a “Fear Factor” tasting event and many more.

The Popp Martin Student Union was adorned with Halloween decorations and people sporting different costumes, such as Harry Potter or your typical vampire or witch. Many had very creative and interesting face makeup. The music set the mood for a fun night. Starbucks even gave out free samples of their new Halloween themed frappuccinos. There was also free food being given out by clubs.

The glowcade was very competitive. It was a glowing makeshift arcade with various competitive arcade games. For the more creative spirit, the pumpkin painting booth was available in the lounge of the Student Union. The pumpkin painting was a different take on the usual pumpkin carving but in its own way was an awesome idea. It’s still in spirit, but without all the mess that comes with carving.

There was also a fortune teller station, a highly popular activity for those who were interested in knowing their future. There was also a “Fear Factor” food tasting booth, where people who were brave enough could try intimidating foods. For example, there was a red hot chili pepper for those who were willing to take the risk, of which there were not many.

One of the main events was the haunted house. Walking into the haunted house, I had the eerie feeling one would expect; I was pushed towards the front by some of my friends and pulled open the door. As I walked, a giant spider came rushing towards me and caused me to jump. Then, out of nowhere, someone in white started yelling which freaked my group and me out. As we kept walking and opening more doors, there would be disguised monsters and serial killers coming our way or performing creepy acts. One that really freaked me out was the killer butcher who had a person on the table and was slowly chopping away. Through each door, there was a new surprise waiting to scare you. One time, a random hand suddenly reached out to me from a mirror, then a person in a Jason mask came right up to us. After we got to the end and we believed it was over, a disguised guy came chasing right after us, causing people to run screaming. The haunted house itself was very creative in terms of design, the lighting and sound created an ominous effect. The costume design was also very realistic and creative. I am very impressed that the Student Union was able to pull off a haunted house in a limited space and still create a very effective and scary haunted house.

Overall, the Haunted Union was a fun night full of frights and laughs. According to Leslie Varrella, the Haunted Union was a success. She said, “It was more fun than scary! I was laughing the entire time and my friends and I are having a good time.” The Haunted Union was a great event to go to for pre-Halloween excitement and was an awesome opportunity to meet new people.

Photos by Patrick Magoon.

Talented Artists at UNCC

Featured photo from left to right: “Master of Hearts,” “Fishing for Love” and “My Heart Melts for You” by Kelsey Locaylocay. Photo by Patrick Magoon.

On Wednesday, October 24, from five to seven p.m, the Campus Activities Board held a reception for student artists who submitted their art to the Student Art Showcase in the Popp Martin Student Union Art Gallery. This gallery has been on display since October 8, but today we were able to meet the artists with provided refreshments.

The art on display varied in style, color and purpose. Student artists stood by their paintings explaining the purpose of their pieces and answering any questions people may have had. The art varied in styles, from acrylic to digital to hand-drawn sketches. Each artist’s inspiration was different; beautiful creations, either based on the themes of love, dance. Each artist had different inspirations for their work.

Some students were inspired by their favorite celebrities and role models, including one of Lil Peep, a rapper who died of a drug overdose last November. This piece was really moving because it was very intricate and beautiful and it looked like it meant a lot to the artist. It reminded me of the recent death of the rapper Mac Miller, who also died of a drug overdose.

However, some had different inspirations to their pieces and took more of a symbolic approach in creating their artwork.

One particular piece of art that I found very interesting was that of Luke Ecton’s piece “Hollow.” This particular piece was in the outline of a woman, but what was interesting was the way the piece was presented: its lines outlined the woman and other types of lines that made up the piece which created the effect of the woman to appear hollow. According to Luke Ecton, this piece is based on mental illness, specifically depression.

Kelsey Locaylocay’s acrylic painting piece “Master of Hearts” I found particularly captivating. Her painting showed a heart literally being controlled like a puppet by a pair of hands. An art piece in which I interpreted it as someone pulling the strings of our hearts where we have no control over them. Of course, someone could have a completely different take on this piece than I do.

Luke Ecton’s piece “Hollow” was his fifth version, and before that, he had to go through different stages of the creation process, through hand drawing to digitizing the piece. Another example of the creation process, many artists create their pieces chunks at a time, focusing on specific areas of their piece.

Our artists here at UNC Charlotte are appreciated and we thank them for their time and effort to produce artistic pieces and for sharing it on our campus.

Overall, this event was a great way to give recognition to UNCC student artists and gave another way for them to earn extra cash and to spend an evening meeting different individuals who enjoy art.

Let’s Get Ready to Rumbao

Photo by Leysha Caraballo

In honor of Hispanic Heritage Month, The Rumbao Latin Dance Company provided UNC Charlotte students with a fun and energetic event, featuring salsa, merengue and bachata dances, taught by instructors Eduardo Diaz and Jennifer Geyer. Rumbao combines two key aspects of salsa dance, rumba and tumbao, and the percussive beat in salsa music the On2 New York style dance follows. Rumba implies a party aspect where people get together and have fun. Together the words make Rumbao.

We started with a warmup, everyone was in a circle moving to the music; body rolls and simple steps to get us moving. Once we were all warmed up, we started off learning the basic steps for merengue, which involved a simple one, two-step move and moving your ribs from side to side. With that under our belt, it was time to learn to create a “connection,” which is necessary to know and predict what your partner plans on doing, whether that’s a twirl or even a dip. In fact, connection is at the core of each dance. For example, merengue involves the lead turning their partner clockwise and counterclockwise while maintaining a closed dance position.

Merengue is the national dance of the Dominican Republic. It’s a combination of two dances, the African and the French Minuet, from the late 1700’s to early 1800’s. Slaves saw the ballroom dances in the big houses and they started mimicking the “master’s dances,” which were very staid and boring. Over time, the slaves added a special upbeat with drums creating a slight skip or hop. Merengue was introduced in the United States in the New York area and continues to grow in popularity due to its uncomplicated rhythm and exuberant nature.

Photo by Leysha Caraballo

After learning how to do basic merengue steps, the group was put into two straight, even lines so everyone had a partner. In order to practice connection, you were to mimic your partner’s moves, whether they were really random or plain, you had to keep up and follow their lead and anticipate what their next move would be. Alongside, Eduardo Diaz was a constant motivator in keeping us moving and connecting with our partner. He would say “If you don’t know their name, ask them” or “Get on the floor.” It was essential to find a connection as it was necessary to be able to dance bachata and salsa effectively.

After we have had formed connections with everyone in the group, we began to partner dance merengue. Truth be told, many of us hadn’t completely nailed down the dance, but it was still a very energetic and creative event. People added their own style and it was enjoyable for everyone.

Bachata originated in the Dominican Republic and it is danced widely around the world but not identically. The basics to the dance are three-step with a Cuban hip motion, followed by a tap. The knees should be slightly bent so the performer can sway the hips easier. The original Dominican bachata is today danced all over the Caribbean and was created by the people over many years for social dancing. It still continues to evolve.  Other types of bachata are traditional, modern, bachatango, bachata sensual, ballroom bachata and many more. Bachata music has some African, European and Indigenous musical elements. José Manuel Calderón recorded the first bachata song “Borracho de Amor” in the 1960s. Throughout most of bachata history, it was disregarded by the Dominican elite and considered vulgar and musically rustic. However, by the 1990s, bachata instrumentation changed from the nylon-string Spanish guitar and maracas of traditional bachata to the electric steel-string and Güira (a metal scraper used as a percussion instrument) of modern bachata. Bachata further transformed the 21st century with the creation of the urban bachata and has become an international phenomenon. In Drake’s song “Hotline Bling,” his dance moves are based on bachata music.

Photo by Leysha Caraballo

Salsa is a social dance that originated in the Caribbean. The dance along with salsa music originated in the mid-1970s in New York. Different regions of Latin America and the United States have distinct salsa styles of their own such as Cuban, Puerto Rican, New York style and many more. The Rumbao Latin Dance company specifically follows a New York style or On2 salsa style. In On2 salsa style, partners face each other most of the time and on the second beat of the first measure of the music, the follower, not the leader, steps forward. New York style is strict about remaining in a close dance space. On2 dancers also perform “shrines,” which is when dancers separate and dance solo with intricate footwork. New York style salsa is different from its Latin American and Caribbean counterparts. New York style emphasizes harmony with percussive instruments in salsa music.

Rumbao Latin Dance Company was founded by five fellow Charlotteans in March 2013. Eduardo Diaz first got into Latin dancing in high school at age 18. He moved here from Puerto Rico and wanted to keep a piece of his Latin culture with him, so he joined a Latin dance club and finally ended up joining Rumbao Latin Dance company in 2015. Jennifer Geyer, one of the founders of the company, first got into Latin dancing in college, where she met the four other founders, two of whom are UNCC Alumni.

This event was a rumba going by how energetic and fun it was. The music played to match the styles of dance we were dancing. This event in honor of Hispanic heritage month brought people together and created a learning space for everyone to learn a little bit of Latin dancing, from the most experienced to the least.